Clipping Mask Video!
I wanted to show you something really cool today! One of my talented creative team members, Julie, was making some beautiful hybrid layouts when she decided to also make a little video tutorial to go along with a post for her blog readers!
Here’s her video! Check it out:
And here’s her beautiful layout that she made with this technique:
Be sure to check out her blog for even more details on how she makes her awesome hybrid layouts. SO inspiring!
Happy scrapping!
Tutorial Tuesday… an Easter banner!
Jill Jarvis (aka jjstar) here with an idea on how to bring a bit of Easter into our homes! I’m here to show you how to create this banner using coasters:

You of course could tailor them to whatever them you would like, have fun with it! I started out collecting some coasters while I was out to dinner. If you don’t have any coasters, using an extra layer of cardstock would work too, or even some cardboard from an old box.

To begin I scanned one of the coasters so that I could create a template in photoshop. This step is not completely necessary since the coasters are round you could easily just measure the diameter. Once I had my template in PS I opened up the latest kit from Nicole and started grabbing elements and paper. Once I started looking at the circle I decided that it would be helpful to start with a template.

I selected one with a scallop circle that I felt would go well with the season as well as the shape of my coaster. I did one for each letter in Easter and put the entire ‘happy’ word on one to itself. I did think about having two rows, one for each word but instead went the one word route. Really it depends on your tastes and where you’re planning to hang your creation.
Once I had them all done I printed them out on cardstock and cut the circles out. I just cut them with scissors. Since I knew I was going to be painting too I just cut them out by hand. If you are a perfectionist you could use a circle cutting system. To help speed along the paint steps I did one coat of paint using spray paint. I did find that since the coasters are intended to soak up liquid the spray paint didn’t cover too well but I knew I was going back with a second coat so it worked for mine.

After this first layer of paint was dry I pulled out my paper mod podge and put a thin coat on the coaster and then on the back of each letter circle. After this step dried I pulled out some acrylic paint and a regular paint brush to put a final coat of paint along the edges. I used this to cover up any imperfect sections of the circle since I cut it by hand. Once this was dry I added a layer of mod podge to the top of each coaster. In total I had 2 layers of mod podge on top.
Now I pulled out my ribbon holder to decide which ribbon would make the best base and then some extra ribbons to add color. Instead of punching holes to thread the ribbon through I decided to go the quick and simple route… staples.

I did add extra bits of ribbon to each staple spot. It is hung and greeting people as they enter our home this Easter season!

Supplies I used for this project include:
• Digi paper and elements from In the Meadow collab kit from mgl Scraps & Sugarplum Paperie;
• Template from Sweet & Simple Template #2 from Sugarplum Paperie;
• Ribbon & Staples from my stash;
• Paper Mod Podge & Acrylic paint from Wal-Mart;
• Coasters from friendly local restaurant

Tutorial Tuesday: How do I get photos like that?

(Rusty Truck - photo by Becky Thompson)
One of the questions I get asked most often by people wanting to learn and improve their photography skills is, “How do I get photos like that?”
People often assume that you need something special to take great pictures, or that there must be some secret tip that a photographer can share that will make the difference. The truth is, there really isn’t. Yes, there are things you can do to improve your skills, but there is no magic pill, nor does it take pricey photography equipment to get snapshots you will be happy with.

(Samantha – photo by Becky Thompson)
Today I’m going to share some of the things I’ve learned that hopefully will help you, too, get images you love.
- Study other people’s pictures. There are amazingly talented photographers out there. Find images you like and study them. Make notes about the details and the composition of pictures that especially speak to you. You can learn a great deal from studying the work of others. Conversely, find images you’re not-so-crazy about, too. Why don’t you like them? Is the lighting poor? Is the subject not framed in a pleasing way? What is it that you don’t like? Learning to identify what makes a photo that you like is a key.
- Learn the basics about your camera. Most cameras come with a user’s manual. Read it. I know, it’s boring and technical…but you WILL learn a lot about your camera’s functions and capability from it. If you’re having a hard time getting much out of your manual there are others out there that will be helpful. I personally love the Magic Lantern series of manuals. Easy to understand with LOTS of great info, and you can find them for almost any camera. Still confused by all the knobs and buttons? Consider taking a beginner’s course at your local camera shop. Most offer them and they’re a great way to learn the very basics if you’re unfamiliar, or if you need a refresher course.
- Give up the notion that because you don’t own a “fancy camera” that you can’t take great pictures. Yes, there are things that you can do with a high-end camera that you can’t do with your typical point and shoot. That said, don’t let yourself be fooled into thinking you can’t take great pictures with what you own. I had a friend give me great advice once, and I’ve held true to it since: Great pictures are NOT as much about the camera equipment as the eye of the person using it. It’s true. I used to shoot with a little point and shoot Nikon camera with a very small zoom lens. I’ve since upgraded to a higher end DSLR Nikon. Funny thing? I have pictures from my little cheap camera that I love equally as well if not more than some of those I’ve taken with the bigger camera. It’s really NOT about the camera. It’s about learning to use what you have to it’s best. You can do that with WHATEVER you have.
- Take lots of pictures. This is one of the true joys of the digital era. I remember learning to shoot with film years ago. It was expensive. You never knew if what you got was going to work until you got the developed photos back from the lab. Sometimes you could shoot an entire roll and only get one or two images that worked for you. That’s not the case anymore. A digital camera makes it possible to take literally hundreds, if not thousands, of images in a very short time, and see the results instantly. You don’t have to keep them if you don’t like them, nor are you spending time waiting for a lab to develop your shots – you know immediately if you “got what you were after.” So….go play! Play with the settings of your camera. Change lenses if you can. Use the flash, and then take the same image and don’t use the flash. Note the differences. You can read all the books you want, and take all the classes you want….but I can tell you that none of those things will do you any good if you don’t just get out there and play!
- Learn your digital darkroom equipment. Once you have your photographs, most people need some sort of program to work with them. Film photographers had a darkroom, digital photographers do as well – they just happen to have theirs on a computer. There is NOTHING wrong with enhancing your images using a photo editing program. Careful use of photo editing programs can take a good image even further – to a great one. There are all kinds of programs out there, including the very basic ones that come with the camera itself. I use Photoshop CS2 for my digital editing, but you can use any program that you’re comfortable with. If you use a version of Photoshop, I’d definitely recommend the Scott Kelby series of books for the different versions. He gives great, step-by-step instructions for the basics in digital darkroom work-flow.
- Learn to compose before you press the shutter button. What do I mean by this? It’s about noticing things in the viewfinder before you take the picture. When I’m composing a shot, I usually make mental notes of certain things. Shadows (are they covering part of the subject – are they enhancing the image the way I’d like them to?) Background (are there things growing out of my subject’s head? Would moving to a different location give a more pleasing result? Is the background distracting or complimentary?) Body parts (am I cutting people off at the knees? are my subjects arms and legs posed in a comfortable, natural fashion? Are my subjects, if there are more than one, interacting in some way in the photo? A group shot where all the participants are somehow connected is far more pleasing than a traditional “posed” shot, in most cases) I think about these types of things before I press that button and adjust accordingly.
…and my final tip? - Don’t listen to me, or anybody else. When it comes to photography, there are a million different people out there who will give you advice on how to take better pictures, what you should and shouldn’t do, what’s right and wrong. Everyone’s got advice to give. Sure, there are things we can all do to improve our skills. But the truth is, the best way to improve your photos is to just PLAY. I can tell you things that I look for in a great picture, but that doesn’t mean that it will make a great picture for you. Just like pieces in an art gallery, some will speak to me, and some will speak to you – and they may not even be the same pieces!
So, aside from learning the basic “how-to” of your camera operation, the very best thing you can do to consistently get photos you love is to just GO FOR IT!
I try to set aside some time once in a while to go on what I call “camera play days” – it’s just me, my camera, and the world around me. I take sometimes hundreds of images of anything and everything. I play with light and composition and depth of field. I change lenses, I experiment with flash and manual settings….I just have fun with it. When I get home, I download the images off my camera and start looking at them. Sometimes, I get nothing. Other times, I’ll end up with something I love.

(St. John’s Cathedral – photo by Becky Thompson)
In the end, that’s what matters.
Not what anyone else tells you a great image ought to be.
It’s what YOU love.
So go for it!
You can get photos like that!
Tutorial Tuesday: Scanning your Photos
Hi all! It’s Kristie (kcherrie) and I’m here to do a tutorial on scanning. I have to scan a lot of traditional photos of my oldest son when I’m scrapping digitally. So these are some of the things that I do to get a better picture. Now, by NO means am I an expert on scanning, but I can show you a few things that I have learned from trial and error.
(I am using an Epson Perfection V500 scanner and CS4 to scan and edit my photos, so my screen shots might be different than everyone else’s.)
So, the first thing you want to do is scan your photo. Turn your scanner on and let it warm up a bit. Make sure your picture and your scanner is free from dust, lint, hair etc. Place your photo on the scanner bed and try your best to place it straight. Don’t worry if it isn’t perfectly straight… you can always correct in Photoshop. To import, I choose File > Import > Epson Perfection V500.

You may or may not have some of these options. With my scanner I select the Professional Mode. It allows you to have a few more options. Then I select the following:
- Document Type: Reflective-for photos, typed text, receipts, drawings.
- Document Source: Document Table
- Auto Exposure Type: Photo
- Image Type: 24-bit color
- Resolution: 300 dpi
With the Epson scanner you can choose a target size. So, if you want your photo larger than the original size it will automatically adjust the dpi to the correct amount. If your scanner does not have this feature you will need to increase the dpi before you scan your photo. For example, you have a photo that is 2 x 2.5 inches and you want to increase it to 4 x 5 inches and not lose any quality. You would need to increase the dpi 2 times. So, multiply 300 dpi by 2 and scan photo at 600 dpi.
Next select “Preview.” This will give you a preview of your photo. After I have previewed it I can make a few adjustments before I scan. When I click on any of these my photo will preview what it will scan like if selected.
- Unsharp Mask
- Descreening
- Color Restoration
- Backlight Correction
- Dust Removal
- Digital Ice Technology
When you’re happy with your photo, outline your photo with the marquee and scan into Photoshop.

From here I try to correct any imperfections. I LOVE to use the Healing Brush tool. Zoom in on your photo, select the healing brush tool and a soft round brush. Then choose a “clean area” close to the area you want to correct. Press alt and click on that area. Then target the “dirty area” and click. Presto, it’s fixed! You can also fix the eyes with the Healing Brush or Red Eye tool.
If want your main image to pop, you can blur your background. Grab the lasso tool and select an area around your main image. Then choose Select > Inverse (or Shift + CTRL + I) and choose Filter > Blur > Gaussian Blur and adjust the slider to the amount of blur you want in your background. You can also adjust the contrast of the photo to make it pop more.
When scanning dark colors they always seemed to be lightened. I found that by experimenting with blending modes with a black and white picture on top it could darken the photo.
Here are some of my examples. Hope this helps everyone! This is how my photo scanned into Photoshop:

And this is my final result:

I scanned this photo at original size and used dust removal feature. Once in Photoshop I:
- Cropped my picture to get clean edges
- Used the Healing Brush tool
- Adjusted the Contrast (CTRL + B)
- Copied my picture onto another layer
- Changed the copied layer to B/W
- Changed copied B/W layer to Mulitply blend mode at 45% Opacity
Here’s another example of before:

And after:

I scanned this photo at original size and used dust removal feature. Once in Photo shop I:
- Cropped it
- Used the Healing Brush tool
- Used the Red Eye tool
- Adjusted the Contrast
- Used lasso to select background area and blurred it
So try this for yourself and see just what your scanner can do for your old photos!
Tutorial Tuesday: Blend Modes
Hi everyone. Denise (neeceebee) here to bring you a tutorial on blend modes. Did you know that you can change the blend mode of practically everything on your layout—on papers, photos, and elements too.
This tutorial was written for PSE 6, because that’s what I use… but I know most programs have blending modes, so keep these ideas in mind as you work on your layouts.
First, let me just say that changing your blend mode is a really useful technique that can add a lot to your layouts. I change blend modes when I want to lighten a photo, create a new paper, or even on elements to give my layout the look and feel that I want.
I often blend when I have a photo that I really love and I want it to be the focus of my entire layout.
So, let’s start with paper.

Here is a basic paper. I like the look of the paper, but it isn’t quite the right color or texture yet. Now, I could just recolor the paper, but I am going to blend it with another paper…in order to achieve a paper that has more texture in addition to being a different color.
Remember, this is a really great technique when you have two pieces of paper that have texture and pattern that you think would look great together.
So, add your second paper on top of your first paper.

As you can see, I added a brown paper with a slightly different texture on top of my first paper. Make sure your top layer is active and go to the blend mode pull down menu. I choose to change my blend mode to screen.
When I blend, I often click through the different blend modes until I get the look I want.
Now that paper my looks good, I pull my photo onto my layout and resize it to fill my entire page. (You could keep yours small, but I like how this looks).
[Let me just add here, that paper color can make a BIG difference in blending a photo. If you choose a paper color similar to the majority of the background of your photo...that part of your photo will "melt away," leaving the emphasis on the main subject of your photo.]

Now that my photo is the size I want, I change the blend mode to pin light.
As I look at my photo, you can see that there are some areas that now look out of place…dark areas that I don’t want on my layout. So, all you need to do is choose your eraser tool, and select a soft, round brush. If you don’t want to erase too much at once, just reduce the opacity of the brush, and it will take only part of the photo away at a time.
Once I have erased anything that doesn’t belong, I would still like to have the photo pop and my for daughter’s skin stand out a little more — so, I duplicate the photo layer one more time and change the blend mode to overlay.
Let me just say here, that sometimes is as easy as changing the blending mode on something just once. Sometimes, like in this case, you will duplicate your photo (or paper or element) more than once and either keep the same blend mode, or change it to suit your needs…you just have to play with it. Experimentation is the key to learning this technique.
After this step, I add my elements, and complete my layout.
Here is the finished product:

And, if you look closely, you will see that I even changed the blend mode on the swirl to exclusion, to make it that great blue that goes with my daughter’s swimsuit.
And, for fun, here is another example from Kristie (kcherrie):

She used a dark brown paper on her first layer with a normal blend mode, then on top of that, a light green color paper with a soft light blend mode, and finally on the picture layer she used the linear light mode at 28% opacity.
I hope that helps get the wheels turning…and that you will think about how you can use blend modes to create something wonderful in your digital layouts.
Happy scrapping!
